Sunday 30 November 2008

A few extra photos.

These are for those who were kind enough to say they wanted more photos.

The camera gives a more truthful image of the horse colour than the scanner. The undercoat does not alter the colour as much as one might expect.

I would like to thank Mr Mike Siggins, for generously sharing his experience of working with oils. He is one of the real gentlemen of wargaming today.

So, moving swiftly on!

Well apologies to all who have dropped in found no one at home, especially Black Bob.

I would love to tell you all what I have been up to this autumn but as Dr Watson might have said, the world is not yet ready to know the full story of the Mongolian mountain of light and Mr Asquith's part in averting the collapse of western capitalism.

Anyway the doctors have saved the leg and I now feel strong enough to return to one of the most contentious issues of our time:

Toy soldiers and how we paint them!!!

I am not a huge fan of imaginary armies but I give myself the treat of designing and painting just one unit a year for my fictional mid 18C army. The last three years have produced units which were copied from Peter Young's 'Charge'. This year I was able to start from scratch and settled on another cavalry regt. This time one of dragoons.

Regular readers, (if any such are left) will know of my enthusiasm for the horse models of Holger Eriksson. The range that are available is really quite wide now and can easily be ordered through Tradition or Spencer Smith miniatures. A word of warning though. The legs are very delicate, don't be tempted to trim any flash from the lower legs of the horse. Just be grateful for the extra strength and paint it as foliage.

My army is loosely based in the mid 18C after an alternative thirty years war in which many states remained independent and Bohemia is a northernmost bastion of Catholicism with its independent army. One of Bohemia's oldest and proudest regts is the Winter Queen Dragons, so called because they provided the escort to the Empress Elizabeth during her campaign to consolidate her reign after the assassination of her husband..

Most of the painting is self evident. However I experimented with the horses. I am always looking to cut down the time and effort involved. I prefer to use a spirit based wash rather than water for large areas as it spreads more easily and runs into the depressions without those nasty bubbles that pop later and leave undercoat showing through. This time I wanted to try and get something of the effect of using oil paint without all the hassles of putting it on and wiping it off.

Cream and orange undercoats the same wash on top

I divided the horses into three and undercoated them with diluted washes of enamel paint in khaki, cream and bright orange. I then made a mix of about one part Vandyke brown oil paint, one part linseed oil and four parts white spirit. put in a Little bottle with a brass screw as an agitator it keeps well. Splash it all over and put aside for at least a week, maybe three. (Next time I will try quick drying linseed oil.) Overall I am pleased though the oil pigment is so strong the undercoat shows through less than I expected. Lastly I finished with several coats of gloss spray varnish to get a real porcelain glaze on the figures.

The Winterqueen Dragoons at exercise. This painting shows them manoeuvring on the harvest stubble fields south of the palace at the end of an Autumn evening. (scenery by merit, harvest field from Mrs Asquith's sewing basket.)

And finally, A Winters Evening... the view from the window by my computer desk, taken while writing this blog entry. I wish you all a peaceful and warm Sunday evening.