Monday, 25 April 2011
Sabbatical
It is his intention to return then, invigorated, with a revamped blog and hopefully something interesting to say.
He wishes to make it clear that any rumours that he was bullied into this are completely unfounded.
Tuesday, 22 February 2011
Too good too miss
A rare shot of the venue for the infamous 1927 National Convention
Over to Martin......
In response to your recent blog entry "The Mystery of the Fourth Wargamer...", after studying the picture I have come to the conclusion that the man in the centre "chanting from a book" is probably intending to make the figures move of their own volition...This brings me to another matter involving the Forces of Darkness, namely the way in which perfectly normal, rational people become possessed by malignant spirits (lets call them entities) when they go near a wargames table. You have probably seen this yourself- faces contorted with fury over some minor point not dealt with by the rules, etc. Although I have never seen anyone actually throw a table over, I have witnessed people packing up and storming out in the middle of a game... rules which seem to give particular scope for these entities include WRG 6th Edition Ancient Rules, and the Napoleonic rules written by a certain Mr Quarrie...
Further to your comments about Aleister Crowley in the same blog entry, I have come across the following in the book "Collision of Empires. Britain in Three World Wars 1793-1945", by A.D.Harvey (incidentally a great read for anyone interested in the British war effort in these wars; it also has a great deal of comment and detail about Britain`s allies and enemies): In 1907 J.F.C. Fuller, later a military theorist, historian and Major-General, published his first book- "The Star of the West: A Critical Essay on the Works of Aleister Crowley". This was originally the winning entry in a competition for a study of the works of Crowley with a prize of £100, set up by Crowley; it was the only entry, and Crowley never paid the £100.
Fuller later went on to write various pieces for Crowley`s magazine "The Equinox". Harvey then goes on: "Fuller`s instinctive leaning towards hocus-pocus also appears in his writings on military tactics, even a quarter of a century after his final break with Aleister Crowley: "It [the tank] is a two-dimensional weapon when compared to infantry, which is a one-dimensional arm; that is, it moves in lines and fights in lines. Whilst the old tactical form of war was linear, the new is based on plane surfaces (areas) and is developed in cubic spaces - three-dimensional warfare".
"Several questions arise from the above:Did Fuller, who had an interest in the occult, ever wargame with Samuel MacGregor Mathers, a member of the Hermetic Order of the Golden Dawn? If so, in how many dimensions?If we set up an 18th Century wargame with linear formations and tactics on a plane surface, would it then be three-dimensional? What might this look like?Why are some people more prone than others to possession when near a wargames table?
Martin T.
Unlike Martin I have actually seen a wargames table turned over, and yes it was WRG 6th. Assyrians and Romans if I recall correctly. But you know the funny thing is, now that I think about it I cannot remember anyone actually touching the table?
Wednesday, 2 February 2011
Addendum : How should I paint this?
As I stated the Colonel of the Regt is to be the McNab of McNab and modelled upon an old wargaming flatmate.. The figure is a lightly converted Front Rank Bonnie Prince Charlie on a Willie horse. (my flatmate was a bit of a shorta**e. The shock of hair and purple suiting are also historically correct.)
But my question is this: if you look closely at the edge of his jacket and the cuffs you can see that it is edged with a fringe. Rather like Davy Crockett's buckskins. I am leaning toward painting this as white fur but I wonder if anyone is familiar with this figure or the source it was modelled from and can give me any better advice. I am not convinced by the idea of gilt fringe as I have never seen it portrayed in this way and it would surely be horribly uncomfortable as a cuff edging. Friday, 28 January 2011
A Shiny New Year to you all
And off the painting table march a unit of well glossed 30mm French infantry from Spencer Smith's excellent Franco Prussian War range. And they keep on marching straight to the storage box, because 2011 has officially been designated Year of the Tricorne here at Martial Villas.But more of that anon, let me rush straight into one of the questions that will be preoccupying us over the next year or so: Are there any rules which govern the creation of fictitious uniforms?
I know at least one gamer who delights in the creation of violent juxtaposition of colours and takes pleasure in his units looking like a clown convention. But alas not for me, my military milliners agonise long hours over what year light infantry units adopted black belting or when the sword began to be worn under rather than over the coat. And in truth it matters even more to a fictitious country for as Bob Dylan reminds us 'to live outside the law you must be honest'.
So recently when I began to think about a 60 man unit of Highlanders I was drawn to the idea of creating my own regiment. I had the castings from Garrison. These were a metal casting of Barry Minot's 30mm plastic AWI highlander. Originally designed for Spencer Smiths Connoisseur range back in the 70's they are rather nice little chaps that will comfortably fit from the end of the SYW to 1800 at a pinch. In order to boost that flexibility I decided that mine would be one of the numerous short lived units raised from the highlands that never quite got permanently established established on the army list. Montgomery's, Frazer, Keith, McKenzie, Aberdeen all came and went. But mine would be Grant's in memory of a wargamer I once shared a flat with for six months without ever understanding a single word he said.
So Grants it is and the Colonel will be the Mcnab of McNab. But what tartan would they wear? In search of inspiration I looked at the famous 'death of General Wolfe' specifically the group of onlookers. Just the mixed bunch you could see any day slowing down opposite a motorway smash. But look at the highland officer at the back - that's not a government tartan! I spare you the research involved but eventually I was able to try it out as a sandy base with dark green overstripe and quite a lot of orange. It would have been wonderful in 90mm but take my word for it, it looked awful in 30mm.
So the final result used an orange base and much brighter contrast. 60 figures took quite some time but painting is finished now and I am fairly pleased with the result. Overall a lot more work than just copying a plate but it is my own creation and I am happy that it could easily have actually been worn without the rest of the army throwing rocks!Friday, 24 December 2010
The Mystery of the Fourth Wargamer: or The Devil Throws the Dice
let me invite you to close the curtains on the snow swirling outside. Draw closer to the fire and settle back with a glass of something to fortify the nerves.
I was chatting the other day to my old chum Harry Pearson, you remember he did a lot of research on the origins of Wargaming when he was writing up his Magnum Opus 'Achtung Schweinhund'. One of the fascinating aspects was the close association that developed back between the wars between wargaming and the study of the occult. Harry records how the great beast master Alistair Crowley and Dennis Wheatley, author of the Devil Rides Out were both keen wargamers.
However Harry is a little vague on what role, if any, the wargame played in Black Magic Rituals. Was a unit's reaction, for example, decided by counting factors or reading the entrails of a Black Cock . I decided an outright question was the best approach but all Harry did was turn pale and mutter something about not meddling in affairs best left alone before hastily leaving.
However I could not just leave it and I believe I have discovered evidence that the wargame may have had a more central and sinister place in the occult practices.
Look at the picture above. Published in John Garratts Model Soldiers 1959 it purports to show a wargame in progress. But does it ? Look at the central figure chanting from a book, the two identically posed acolytes surely those grins denote a state of drugged frenzy. And what do you make of the background? Why are they playing in front of a giant and rather ragged paper screen? What horrors do they wish to conceal."Oh enough," you scoff, "This is merely fanciful stuff".
So be it, but, look again gentle reader and tell me who is casting the fourth shadow?
Consider, the light is falling from the left and casting a shadow to the right of the figures. Three shadows are clear but who does the central one belong to? He cannot be out of picture since the shadow of the left hand gamer (or should I say worshipper) falls OVER his shadow. He could be behind the paper but look at the top of the wall no gap is apparent and if a door was behind we would see the outline of that as well.
No only one answer fits the facts a fourth gamer is about to materialise in the middle of the group. I would go as far as to be certain that the Prince of Darkness is about to appear to his followers.
In fact,.. Just a moment I can hear a scratching at the window, I must go and make it secure, I will be right back...................
Wednesday, 22 December 2010
In Wedge we Serve

Regular readers will be aware that at this contemplative time of year it is my wont to reflect back to an earlier and possibly more agreeable age. Above we see the typical wargamer of the post war years relaxing at his painting table. The gentleman in question is an American and seems to have stepped straight from the pages of a Nero Wolfe mystery. You will no doubt notice the rather natty summer weight double breasted suit, such informal attire for gaming became acceptable much earlier in the States than in stuffy England. I believe his 'fraternity ring' marks him as a Harvard or Yale man as indeed most model soldier collectors were back then.
Yet there is a danger in deducing too much from these faded photographs. Wargaming is dreadfully lacking in written evidence for these early years and much like the Archaeologist we find ourselves forming complete systems of gaming from a tiny shard of dice or a crumpled piece of cardboard building. This is at best problematic so often the safest answer is simply to admit that we know very little of how these early gamers actually carried out their wargames.Take the example above. One of the best known of early images of gaming taken from the great work Charge.
And detailing the battle of Sittangbad, yet look closer. What is that item in the top left corner? Yes the one running alongside the river with a Light Infantryman standing on it. I have tried telling myself variously that it is an improvised breastwork or a wharf of some kind.
But Please lets be honest, it is a Wedge. Pure and simple a Wedge in the middle of the battlefield. Why? I have no idea. Oh well just an isolated anomaly you say, but wait look at this picture of a group of US gamers taken some time in the fifties. Quite a lot to comment on in this picture I think you will agree and will return to it * but just for now concentrate on the far right of the table.Thursday, 9 December 2010
Good Enough? What does that mean to you?

No shortage of inspirational and thought provoking material, but the last week I have been mainly pondering on:
"It will be most unusual for wargamers to collect and paint armies of a particular period without an interest in the history and an understanding of the tactics of the troops and their uniforms."
For myself that is something of an understatement, all too often raising a new wargames army had been akin to taking a tiger by the tail - impossible to let go. Casually picking up a few 20mm figures for the Spanish Civil War because the Civil Guard hats were funny, resulted in a fifteen year study of the war (so far) and a couple of thousand painted figures, vehicles and buildings.
Perhaps that is the reason why I could never really come to grips with the 18C imaginations. I liked the idea well enough but frankly so much of it seemed to lack any substance or, to be honest, relevance to anyone apart from the author. I found myself very much more attracted by Peter Young's distinction between Imaginary armies and Fictional ones. Fictional characters and armies operate within the framework of a real world but one that is slightly skewed. Of course to do this it is necessary to actually know something of the world in which they are set, and I know absolutely nothing about the functioning of the Reichskrieg.
As a result I have spent much of the last month trying to come to terms with the Holy Roman Empire in general and the 18C Reichsarmee in particular. I now know how many Electoral Circles there were and which were ecclesiastic or secular. I can tell you the difference between a Landgraf and a Margraf though my spelling of either is pretty dodgy. I can list the rivals to Prussia as dominant states in the Empire at the end of the 17C. (Bavaria, Saxony, Hanover and Munster, since you ask. ... Munster????).
And how exactly does all of that enhance my wargaming? I don't know to be honest but the truth is that it does. I am looking forward to finally getting to terms with the period as next years big project. I have sorted out the figures that I wish to use and planned a painting style that will be quick and simple. I shall try to raise four small armies for the States of Hanover, Bavaria, The Ecclesiastical Circle of Munster, and Bohemia.
Above can be seen the first rough drafts for Bavaria, Hanover and Bohemia. (spot the fictional one) And below the first finished recruits for the Bohemian Wenceslas Regt of foot. You may notice that one figure is black lined and one is not. I think that I shall not bother black lining this army, to my mind the difference is not worth the time required and when the figures are glossed to a degree that a Guards RSM could see his face in them then it will not be that visible.
In conclusion we are looking at a project which is set up to be rather heavy on research but light on painting. Good enough? Well only time will tell on that but I am interested in how other people arrive at these decision's.


